Kenzo Tange – Kengo Kuma: Architects of the Tokyo Games 1964/2020
Published: December 2024
ISBN=978-4-88706-412-6
Unit price: 3,300JPY (tax included)
Auther: Kengo Kuma, Saikaku Toyokawa
290×220mm, 116pages, Japanese + English translation
Description of contents
This book, centered on the Tokyo Olympic Games in 1964 and 2020, compares and contrasts the similarities and differences between Kenzo Tange and Kengo Kuma, their work for the Tokyo Games, and their involvement with Paris, and explores the appeal of their architecture.
It offers an interpretation of the architectural philosophies of the two architects through essays by Kengo Kuma and architectural historian Saikaku Toyokawa and extensive use of photographs by Yasuhiro Ishimoto and Mikiya Takimoto. This is a bilingual (Japanese/English) catalog for the exhibition titled "Kenzo Tange - Kengo Kuma: Architects of the Tokyo Games" held at the Maison de la Culture de Japon à Paris in 2024. It also highlights the architectural appeal of the Yoyogi National Gymnasium, a candidate for the World Heritage List.
Profile
Kengo Kuma
Born in 1954, graduated from Department of Architecture, Graduate School of Engineering at the University of Tokyo, he established Kuma Kengo & Associates in 1990, and is currently a University Professor and Professor Emeritus at the University of Tokyo.
He was astonished by Kenzo Tange’s Yoyogi Indoor Stadium built for the 1964 Tokyo Olympics, and decided to become an architect in his childhood. He studied under Hiroshi Hara and Yoshichika Uchida at university, and crossed the Sahara Desert in Africa while in graduate school, studying villages and during the process awakened to the beauty and power of villages. He established Kuma Kengo & Associates in 1990 after serving as a visiting scholar at Columbia University. To date, he has designed architecture in over 40 countries, and received numerous awards in Japan and overseas (including Architectural Institute of Japan Award, Spirit of Nature Wood Architecture Award from Finland and the International Architecture in Stone Award from Italy). He strives to create architecture that blends into the environment and culture of each location, proposing designs on a human scale that are gentle and soft. Kuma is pursuing the ideal form of architecture in the post-industrialized society era through a search into new materials that replace concrete and steel. His latest book is “Japan and Japanese Architecture” (published by Iwanami Shoten in 2023).
Saikaku Toyokawa
Architect and architectural historian. Born in Sendai, Miyagi Prefecture in 1973. Completed graduate studies at the Department of Architecture, Graduate School of Engineering, University of Tokyo. He is currently Associate Professor at the Department of Urban Environment Systems, Faculty of Engineering, Chiba University. His publications include Tange Kenzo: Sengo Nippon no Kososha (Tange Kenzo: Conceptualizer of Postwar Japan, Iwanami Shoten, 2016) and Kokuritsu Yoyogi Kyogijo to Tange Kenzo (The Yoyogi National Gymnasium and Tange Kenzo, TOTO Publishing, 2021.)
Contents
On the Opening on the Exhibition in France (Kengo Kuma)
The Age of Tange and Age of Kuma (Kengo Kuma)
Content and Three Themes《Kenzo Tange −Kengo Kuma》(Saikaku Toyokawa)
1. Yoyogi Stadium and National Stadium
1-1 Landscapes
1-2 Lines
1-3 Eaves
1-4 Arches
Renovation of Tange Architecture: Thoughts Through Practice
(Tomohiro Kimura, Executive Vice President, Tange Associates)
2. Tange’s Personal Residence and Great (Bamboo) Wall: An analysis based on Katsura by Yasuhiro Ishimoto
2-1 Geometry of Katsura and Tange’s private residence as vividly captured by Ishimoto
2-2 Feeling of Materials in Katsura Imperial Villa and Great (Bamboo) Wall
2-3 Diverse Types of Materials
The Katsura Imperial Villa: People and History (Kimura Sōshin, tea master)
My Architecture and Our Architecture (Kenya Hara, Graphic Designer)
3. Tange in Paris / Kuma in Paris
3-1 Tange in Paris
3-2 Kuma in Paris
Memories of Paris with My Father, Kenzo Tange (Paul Noritaka Tange, Architect)
Chronology: The trajectories of the two world-famous architects and social conditions of the times
Profiles/Credits